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Showing posts with label farmhands. Show all posts
Showing posts with label farmhands. Show all posts

Wednesday, November 16, 2011

3 or 6 Ways to Recognize Me on the Silver Screen

I might have been in a movie on Saturday.

Last week my boss forwarded an email looking for volunteers to drive 60 miles and sit in the wind for free to be extras in an independent film. My other options for Saturday all involved responsibilities or personal betterment, so I immediately RSVPed to the casting company.

We played the audience at a horseshoe tournament, which is 90% of what I know about the movie. There’s also a guy who is planning to jump off of a bridge, and (SPOILER ALERT) one of the horseshoe players has a little dog with a vest on.

It’s difficult to tell where the camera was pointed or which footage will be used, so I’m providing this useful guide to help you look for me in the finished work.

Girl Who Is Really, Really Into Horseshoes
The extras’ main job was to cheer wholeheartedly for the horseshoe game, which was apparently the most exciting thing to happen in the known history of this little town. We clapped, we whistled, we stood up, and one little girl kept shouting, “Is it okay to talk yet?”

Pretend enthusiastic clapping is considerably more tiring than real enthusiastic clapping, since you don’t have the actual excitement to lend you strength. As a result, we may be the only group of people in history who can honestly say, “Watching that game of horseshoes wore me out!

Of course, we weren’t actually watching a game. We reacted to a professional horseshoe thrower hitting all the ringers, and then to the actors throwing shoes wherever they happened to land. Thanks to the confusion, I didn’t know who won the tournament until just after I finished applauding for it, setting me up for a long-running role as Girl Who Has Been Cheering for the Wrong Side.

Girl Who Just Stole That Frozen Hamburger
This film didn’t have a lot of spare money lying around. As a result, all of the extras were paid in sack lunches and the possibility of a half-second of screen time. We did get some exciting perks, though, including food props that we were allowed to nibble on for increased realism.

Crew members started salting the crowd with hamburgers and sides at 9 a.m. I was not among the chosen, which was fine because Breakfast Coleslaw is not an accustomed feature of my morning routine. By about 11:00, though, the abandoned plates littering the bleachers started to look pretty enticing. I finally located a burger with no obvious bite marks and did my part for authenticity.

Fifty-degree temperatures and several hours of wind do no favors for bottom-shelf meat products.


On the upside, outdoors was even safer for food storage than a refrigerator. Also, the experience prepared me for another role, later in the day, as Girl Who Really Appreciated That Free Turkey Sandwich.


Girl Who Is In Six Places Causing Continuity Problems
The scene needed about 200 extras, and 70 showed up. We started the morning with the instruction, “Remember this seat because it’s your spot for the whole day.” After half an hour, it changed to, “Try to take up a lot of space.” Finally, the crew gave up and started moving groups of us to whichever area of bleachers was in camera range at the time.

This approach means that every shot of the crowd includes the same people in a slightly different arrangement. I’m particularly looking forward to the sequence in which I am standing behind the two championship horseshoe throwers and simultaneously looking on from the bleachers 30 feet away. If the editors cut back and forth between those two shots, I’m planning to start internet rumors about a cloning conspiracy plotline abandoned in the final version.

Then again, they may cut me out entirely thanks to my brief cameo as Girl Who Totally Looked at the Camera Just Then.


Anyway, if you have a chance to see a film called Stars with a horseshoe-related subplot, keep an eye out for me. I’ll be the one clapping, gnawing, teleporting, and otherwise lurking around looking like this:


Also, don’t forget to prepare your glowing compliments for my inevitable IMDB page. I’m currently seeking copious uses of the words “witty” and “brilliant.”

Tuesday, November 8, 2011

NaNoWriMo

November is National Novel Writing Month, or NaNoWriMo for those who are saving the extra syllables for use in their literary efforts.

The idea is to write at least 50,000 words of a novel over the course of the month, which averages to about 1,667 words per day. It’s not too late to start, but you’ll have to put in some overtime.

I am not participating, since I am too much of a sissy for serious fiction. As we all know from high school, a book cannot have literary merit unless terrible things happen to any characters worth liking. Whether an honest farming family slowly starves on the way to California or Death Eaters slay a loyal house elf, the good guys have got some suffering coming.

I have taken a few creative writing courses, but my short stories always chickened out when I reached the possibility of anything important happening. I had just made up lives for all these people, and it didn’t seem right to invent them a bunch of pain.


As an alternative, then, I am celebrating NaNoITrToWriInFoGrMo by presenting excerpts from the Novel I Tried To Write In Fourth Grade.

Most of my memories from that year involve the ambitious plans I had for my world-changing contribution to literature. I worked on it during every writing hour and rainy-day recess, filling double-spaced pages and occasionally leaking previews to my teacher so that she could enjoy the privilege of witnessing my genius.

As a basically show-off-y kid (who totally grew out of that), I wanted two things to surround this epic: Absolute secrecy, and universal knowledge that I had something super amazing and was keeping it to myself.

I installed a homemade lock on my spiral notebook, limiting access to only advanced masters of paperclip-and-string technology. To foil those remaining wily invaders, the first few pages were filled with warnings and cunning deceptions.



The problem was that my security measures worked. No one cared about seeing my story, and no one from school could access its hiding place under my dresser. The only audience left was my little brother, so I had to whet his appetite for my sweet, sweet, secret magical prose. I “accidentally” revealed my storage spot. I started leaving the notebook in the middle of my floor, with a hair across the pages to detect tampering. I held little readings of the most impressive parts and dropped tantalizing hints about the plot.


The plot in question was the combined product of my all-consuming Dog Phase and roughly twenty viewings of Babe, specifically the parts with the border collies. I also saw a local production of Camelot and discovered the dramatic potential of betrayal and revenge.

WARNING: Top secret material below! Continue at your own risk! If you tell anybody, I WILL KNOW AND GET YOU!

“Blaze was a one-year-old workdog on the McLoftlen farm….He had a happy life on the farm. Hearding seep, and chaseing rabbitts, birds, and butterflies. But one day he was afraid that it would all come to an end—much too soon for Blaze.”

He is out herding one day when a duck brings him a threatening, anonymous note about how the farmers think Blaze is responsible for a recent sheep killing. Sure enough, the farmer’s wife tries to shoot Blaze, but fortunately she is as bad at aiming as she is at maintaining a consistent personality from page to page.

As Blaze recovers, his most feared enemy dog, Mordred, shows up in the field. An epic dog battle ensues, featuring the grittiest action I could conceive: “First Mordred jumped at Blaze, then in a burst of fury, Blaze would jump back. This went on for almost an hour, and then Mordred slyly slunk away.”

The farmer and his wife tend Blaze’s wounds while producing authentic country dialogue such as, “I reckon’e got in a fight with a’other dawg.” Farmer McLoften calls his neighbors about their dog bully, and they hang up on him.

…and with this cliffhanger finish, I stopped writing my masterpiece and forgot what else was supposed to happen. Probably a lot more jump-fighting and apostrophes.

Despite all my careful buzz cultivation, chances are good that I just got distracted. The next thing in the notebook is this piece of fine art:
I remember spending most of 5th grade on these and stussies. That specific distraction is the biggest threat to NaNoWriMo, from what I hear.

Tuesday, October 11, 2011

Stop Callin', I Don' Wanna Think Anymore

Humanity really loves telephones. We’ve had them for a hundred and thirty years, and for the last couple of decades we’ve been carrying them around with us at all times. At least two people I work with daily keep their phones clipped to their heads, and people don’t even think that’s weird anymore.

So, with this vast cultural store of phone knowledge and a lifetime of personal experience, how can I still be so bad at it?

One of the reasons I’ve been blogging less regularly of late is a messy business situation that is taking up a lot of my time and requiring a lot of important-sounding phone calls. That’s how I discovered the danger of Sudden Aphorism Syndrome.

With email, you can spend a few minutes to formulate a thoughtful reply. You can also ignore messages for days until the sender confronts you in person, and then you can lie about internet connectivity problems. On the phone, meanwhile, you keep having to think of another thing to say RIGHT NOW.

When I’m pressed for meaningful statements without any prep time, some ancestral storage facility in my brain takes over and I start to spout down-home wisdom like an old-timey farmhand.






On the other end of the situationally-inappropriate-word-usage spectrum, I have now caught myself saying “pursuant to” over the phone in three separate conversations with people I know in real life.

Even without someone asking questions on the other end, the danger doesn’t stop. My second-greatest telephone enemy, after myself, is voicemail.

At work I leave a large number of phone messages, primarily of the “please send money” variety. These usually sound confidently professional right up until the last ten seconds, when my mouth has words left over after my brain has run out of information.




The wonderful thing about this medium is its permanence. Unlike the aforementioned conversation, recipients can replay messages to their hearts’ delight.


P. S. In case you finally got this out of your head.

EDIT: Yeah, so I did not watch the official video of that song before posting it. This is a different one with a lot less of...everything, really...

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